Selvedge quilt

I started to make a selvedge quilt a long time ago. Basically in between other projects or even concurrently, I’ve been sewing together strips and scraps of selvedge and leftovers from other projects into loose log cabins. I don’t like cutting off the sewing machine thread in between bits, so having a basket or two of strips beside the machine means it’s easy enough to have this going. I think I moved up to Auckland with three or four decent sized log cabins, that was two and a half years ago now and I’ve been pretty consistently sewing since.

At the start of the year I realised I’d been doing this long enough I could make a quilt of it. I used a couple of mismatched blocks to change things up a little, made sure the log cabins were the same size and sewed them together with wide white borders. It was kind of weirdly tall and thin so I made use of the long pieces of strips I’d been sewing together as well, with an eye for just this kind of use. The piece I used for the sides was so wide I was able to cut it in half lengthwise so there’s some symmetry there. The top and bottom is mostly leftover square shapes which I sewed into a long piece.

I did this while I was on my summer holiday, got it assembled and pinned, and then left it for a while so I could get some more urgent baby quilt projects done. For the backing, a huge leftover piece of cheater quilt fabric which I had from a baby quilt project.

Once it was time to pick it up and hand quilt I had to think about who was going to receive this beauty. Not everyone would appreciate a ‘leftover bits’ quilt, and it’s so bitsy, so many different fabrics. Then I thought of the perfect recipient and became excited to finish and give it to her.

I picked out a couple of details to showcase, but as you can see from the closeups there’s a lot going on in this quilt. I love it to bits, and I hope Alexis and her cat, Toby, do too.

The Bourne Identity (2002)

The Bourne Identity
Directed by Doug Liman
Written by Tony Gilroy and W. Blake Herron based on the novel by Robert Ludlum
(number 373)

I disliked this movie quite a lot when I first saw it back in 2002 because I found the violence a bit to realistic and it was uncomfortable. Also not a great treatment of the woman character? Maybe?

But the thing I really like about this movie, is that many years ago at Kapcon, I was part of a game called Being Matt Damon which Nick ran, and we all played different Matt Damon characters meeting up to save our buddy Ben Affleck. I was School Ties Matt Damon, Jon was Jason Bourne and he had a lot of the best lines of the game. We’d all be talking and trying to plan or whatever and he’d be like ‘I’m in Marrakesh! I’m taking down some terrorists. I call these guys.” and it was magical.

I watched this with Anna, who had never seen them before but as it’s a blockbuster was keen to give it a go. (I watch most of the weird stuff and war films without her.)

I love Franka Potente, by the way. This movie made me want to watch Run Lola Run a lot.

So, the movie is based around a central mystery: who is Jason Bourne? and once you know the whole mystery it’s pretty hard to be involved in the suspense. Maybe I just don’t like action movies enough. I certainly wasn’t taking it as seriously.

Jason: I just had a meeting as Jake Kane
Marie: I just saw Jake Kane’s body, in a morgue here in Paris. But if you’re Jake Kane..
Me: then who’s flying the plane?

I dunno, I guess this was groundbreaking at the time because it’s largely not a funny action movie. It’s deadly serious and all the men are very tough and the body count is very high. I don’t know. Because it was the first time Ludlum’s book was made into a movie. The violence is realistic.. or at least, it probably was at the time. I guess more movies got brutal after this one? Things like Batman Begins and… I dunno. Other brutal action flicks, they’re probably able to be made because of the success of this one.

Does it make me love the people? I mean, I love Franke Potente going in so she had an advantage. Yeah, I think generally she acts in a way that’s consistent with a modern woman, she doesn’t just accept shit from him, she questions him and outsmarts him at the hotel and generally is a useful character, couldn’t be replaced by a sexy lamp.

Bechdel test: No. We have Marie and Nicolette but they’re never in the same scene.

Best line:

State of Mind: Anna, five minutes before the end: what just happened? Who killed who?
Me: some guy… with a gun? shot someone.. and they died? I guess?
Anna: that could have been anyone in this film.

once the silly happy ending occurs, me: It’s over.
Anna: thank fucking god.

Generally I didn’t enjoy it this time but mostly because I felt unengaged in the suspense and generally bored with the action sequences. Anna was disappointed, she felt it had been hyped a lot because it was a great movie but she just didn’t like it.

Watched movie count

L’Avventura (1960)

Directed by Michelangelo Antonioni
Written by Elio Bartolini, Tonino Guerra and Michelangelo Antonioni
(number 293)

Gorgeous sixties fashions, thin and disaffected beautiful Italians and complicated relationships. I actually found this movie a lot more accessible than I feared it would be. It was hard to track down in the first place, no torrents, not at my local library – I had to hire it from Aro St Video and then it arrived on a week where I had very little time to myself to watch it. Finally I watched it on a bright but misty Sunday morning while Anna had a much needed sleep in.

it’s a but of a slow film and very much about the characters – how unhappy they are, how they deal with Anna’s disappearance, how they lounge about on the volcanic island looking concerned.

The locations are gorgeous, very alien – the weird shapes of the volcanic islands they tour through, the slopes all looking rather like an old sci fi movie. The gorgeous sixties helicoptor which looks now like a work of art to me. The men lounging around in all in one lounge suits, the women in strange gathered at the neck wrappers made of lace. Stylistically gorgeous. The plot is a little less engaging.

Essentially it’s a movie about mood. It’s a movie about rich people being sad, being sad in beautiful clothes in stunning locations in Italy. I’m not sure I can recommend it..

The scenes where dozens or even hundreds of men appear just to stare at women are truly horrifying though, n

Does it make me love the people? I dunno, they’re all sort of horrid aren’t they? I mean, yeah it sucks when your friend disappears but drowning it out with a sad love affair doesn’t really make you a good person. They’re all a bit rich, disaffected and solemn for me. I guess it could have been a more engaging treatise on humans dealing with loss but it didn’t quite grab for me. Maybe because I kept wanting the women to kiss when they were alone together in their bedrooms and boudoirs.

Bechdel test: Yes, over and over. Early on Anna and Claudia talk about how actually there wasn’t a shark and Anna made it up. Claudia and Patrizzia and Giulia all talk about where Anna has gone. Lots of named women named characters ­čÖé

Best line:

Corrado: Giulia is like Oscar Wilde. Give her all the luxuries and she will manage without the little necessities.

State of Mind: It dragged, and the people are pretty repulsive. I was happy when it was over, but the styling is brilliant and it’d definitely a beautiful movie. One that you could happily have stills from as art up on the wall. But yeah, I maybe didn’t need to watch a two and a half hour movie to know that rich people can be sad.

Watched movie count

Secrets and Lies (1996)

Secrets & Lies
Written and directed by Mike Leigh
(number 294)

I sort of knew going in that this was going to be one of those awkwardly sad dramas. I’ve heard people refer to it before, I’ve heard people groan in reference to it. Well, I wasn’t..disappointed? This movie is a long, unflinching look at people who’s lives are sad, small and disconnected – even from the people they love. It’s so awkward, it’s so depressing.

The plot is around a woman tracking down her birth mother, getting to know her family and how very dysfunctional it is.

Cynthia is the cornerstone of the movie and absolutely the saddest character, she reminds me of one of the messed up mums in a Jacqueline Wilson book. She’s so afraid of everything – afraid of her own feelings, afraid of being left alone by the people around her, afraid of the world around her.

The party sequence is so horrible. It’s like watching one of the most awkward family gatherings in the world, and knowing most of what’s about to happen and dreading it. Dreading it so much.

Does it make me love the people? I love Hortense, because she’s so lovely and sweet. I love Maurice because he’s trying so hard and is so painfully repressed, he tries his best, he really does. The slow build of the connection between Hortense and Cynthia is very sweet.

It reminds me of the movies I would go see in the film festival without thinking too much about them. The movies would be slice of lifes. Little true stories about people’s ordinary lives and how messed up emotionally those ordinary lives can be. The pain and the pressure and the little hurts family members can dish out to each other. It’s not a fun thing to watch, it’s not a popcorn movie, but maybe it teaches us a little about who we are and how we deal with the people around us.

Bechdel test: Yes, lots of times. Roxanne and Cynthia talk a lot, then Hortense and Cynthia talk lots of times. We’re all good in this department. It just keeps on passing right through the movie: the bonus when all but one of your main ensemble cast are women.

Best line:

Maurice: Secrets and lies! We’re all in pain! Why can’t we share our pain? The three people I love the most in all the world hate each other’s guts and I’m stuck in the middle of it!

State of Mind: Honestly happy that this movie had a happy ending, I was so sure it was going to be only depressing and awkward, but the very end was just like the sun coming out after a horrid emotional storm of truth and pain. Thank goodness for that. I can’t see myself watching this movie again in a hurry though, so awkward. So cringey.

Watched movie count

Rashomon (1950)
Directed by Akira Kurosawa
Written by Akira Kurosawa based on stories by Ry├╗nosuke Akutagawa
(number 297)

Rashomon is a classic, and it’s one that’s had influences over many tv series and movies since, you’ve probably seen a version of it without realising the roots. I think the first one I saw was on the X-Files where when Scully described the local sheriff he was handsome and charming, but when Mulder described him he the actor was played with ugly make up and seemed stupid. Supernatural did a really good one where Sam and Dean get more and more insulting of each other as they go. It’s the story where the events are recounted later by different people and there’s subtle and not so subtle differences each time. It’s highly entertaining.

The movie is beautifully acted and it’s filmed in very beautiful Japanese countryside and ruins/buildings. The costumes were great, the make up…I don’t know what much else to say about it honestly. It’s a great film.

Does it make me love the people? I mean… kind of? I don’t know that you get enough time getting to know any of them to really love or care for them, and they’re all pretty much assholes so. Maybe not really but I can see that this movie is a pretty damning summary of human condition all round. I could definitely do without the rape scene and the general fall out of the rape.

The big sword fight was highly entertaining. I don’t think I’ve ever seen a sword fight between people who were so afraid of being in a sword fight before. Worst samurai ever, just saying.

Bechdel test: No, only the one woman in this story.

Best line:

In the end, you cannot understand the things men do.

State of Mind: I pretty much enjoyed this, and I think I’d like to watch it again. The third storytelling was very unexpected! Very impressed. Probably need to rewatch it a couple times to get the nuances and the details which I didn’t quite catch. I might not watch it again soon, mind. Great film, great director, good watch. Do it.

Watched movie count

Ran (1985)

Directed by Akira Kurosawa
Written by Akira Kurosawa, Hideo Oguni and Masato Ide based on King Lear by William Shakespeare
(number 291)

First of all let me say the costumes in this are off the hook awesome.

I watched it with Ellen on a partially foggy, partially sunny Saturday afternoon after we’d failed to find a copy of La Maman et Le Putain with English subtitles. Realising this is one the based on Lear we agreed to watch this instead. I had for some reason, imagined this was a much older film than the 80s so I was surprised by the lush colours of it. It’s gorgeous, the long shots of people on horseback at the top of a hill, or the interiors lit up by the bright kimono of one of the wives.

Lord Ichimoji wakes up and looks out the window to see his third castle is under siege, many warriors and horses and things burning.
Ellen: uh oh!
Jenni: yeah, that’s no good, I wouldn’t want to look out the window and see that.
E: If I woke up and saw that out my window I’d be more surprised than anything.

It’s a fantastic battle sequence though, beautiful music and fantastic staging. The burning castle was a real castle they build on the slopes of Mt Fuji and the fleeing had to be done in one take since they’d really burned their set. Full on. I can see how this movie was Kurosawa’s most expensive.

Does it make me love the people? Sure. Right at the start when the elderly Lord Ichimonji falls asleep, Saburo cuts the branches of a tree to set up a little shade for him, it’s very sweet. Much like with Lear, you feel sympathy for the old man while knowing he basically brought it all upon himself. The fool is awesome too, love a fool.

Ellen wondered where this was filmed and I found out some astounding stuff on the wikipedia page. An $11 million budget in 1984, all the uniforms and armour handmade over two years, Kurosawa’s wife died during the filming and they paused for one day to mourn her and then he just kept on filming. I’m pretty inspired to read up more on Kurosawa after this movie.

Bechdel test: There are named women, but they’re just wives of the sons and never in the same scene. Sue does talk to an older lady over who should go get the flute but the older lady isn’t named I think, and they’re talking about getting a flute to make a man happy so… I don’t think it counts.

Best line:

“all we did, was speak the truth”

Fool: must be nice, having no idea what’s going on.

“Lady Sue must have been a fox in disguise!” – this whole sequence was golden, remind me if anyone ever charges me with bringing them a head that I have to use the fox head trick and then be as surprised by it as the recipient.

State of Mind: Very impressed, not just in the elegant translation of Lear to medieval Japan but with the production and the way it managed to keep my attention even though it’s not the shortest movie. Stunning stuff, Ellen was also impressed. Highly recommend and may well watch again at some point.

Watched movie count

La maman et la putain (1973)

The Mother and the Whore
Written and directed by Jean Eustache
(number 300)

(the last of the bottom 200 from the list!)

So. Three + hour black and white seventies film from France about a guy with a wife and a girlfriend. And it’s talky. And Alexandre is freaking awful and annoying, pushing and pushing at Gilberte for the first half hour. He reminded me of so many impressed with their own intelligence guys I met at university. Like just because you can spout philosophy doesn’t mean every woman should sleep with you. This approach also feels very much like he’s the poster boy for the nasty culture of coercion that gets idolised as romance in the world but particularly in France. The problem is I don’t think this is meant to be off putting, I feel very much like this is Eustache’s mouthpiece for how awesome he is.

He literally explains the women’s lib movement to Veronika, who thinks it’s sad because if she loves a man she would want to bring him breakfast? Urgh, the seventies.

In some ways the movie is sort of brilliant, because you as the audience are forced to listen to Alexandre and his interminable monologues about his feelings or his beliefs. About how sad he is for no apparent reason. You become one of the people who has to sit there and nod along, just like the girls in the movie.

Is it a relief when a couple of hours into the movie other people start monologuing about random stuff? Not really. At least its not all the one guy but by this point the film had lost my interest. It’s a very long film and there really isn’t much of a storyline.

Does it make me love the people? I’m more inclined to love Veronika and Marie onmly because I feel for them having to listen to Alexandre all the time. I cannot stand him. He actually has the gall to say, while out with Veronika that he feels bored. All he has been doing is talking. Talk, talk talk talk talk while she meekly listens, and then he says he’s bored. FFS. Finallly he asks her some questions, and she has a lovely voice and I like it a lot. When they finally get to the point where Veronika, Marie and Alexandre are all in bed together he’s sulky and annoyed. Like… if you can’t handle this level of emotion you need to fucking sort your shit out.

Bechdel test: Yes, Veronika and Marie talk, first just to say hi to each other, mostly about Alexandre but also about Marie’s looks. Also it’s a French film so of course we see women naked from the waist up.

Best line:

Veronika: I’m often in love. I get involved with people quickly, and forget quickly. People don’t matter.

State of Mind: Shipping Maria and Veronika ditching Alexandre and going to have a lovely life together. Glad it’s over, annoyed with men. Poor Marie. Yeah, I pretty much hated this movie and certainly will not be watching it again. I skipped ahead a few times, bored, and how is it 3 and a half hours I just. Ehhhhhhh. Why have Veronika denounce her own behaviour like that?? There is no love unless it’s for reproduction? Uuuurgh. Was Eustache a menanist? and What the fuck is that final scene??? bleeeeehhhh.

Watched movie count