Richard Linklater’s newest film was filmed over 12 years, tracking mostly the boy from the title but also his older sister, mother and absentee father. It’s a movie about growing, about parents, about life in all it’s dreary normality. And it is so stunning. I don’t like raving about movies because I hate when people build films up for me and I’m disappointed, but I have to emphasise that if anything about the premise or the trailer intrigues you then you should go and see it.
Glenn and I went after a very satisfying dinner at Uncle Mikes. It was a long movie, but it didn’t once feel it. It was lovely and beautiful and it made me love humans so much.
This documentary is part character examination of Hayao Miyazaki, part diary of his last film The Wind Rises being produced and part immersion into the world of the offices of Studio Ghibli. The pace of the movie was a bit on the slow side, lots of shots of the pretty scenery and loving sequences of the studio’s cat, but getting to see Hayao so up close and personal was a total joy. He’s a hilarious guy, and he was very open with his stories to the camera. I really enjoyed it.
I especially loved the bit where the radio calisthenics played over the office and Hayao got up to do them and then complained that it was version 2, which he doesn’t know so well. Trying to work out if I can get this happening in my office…
I’ve heard that this movie doesn’t play well if you’re not a Nick Cave fan, and I’d believe that. You sort of have to be invested and thinking he’s cool to start with or he might come off as a self centered tool, but then… most rock stars would. I read somewhere that this was meant to be a doco but Nick Cave ended up helping write a script to show his typical day, the 20,000th day of his life.
I loved this film. It was beautifully shot, just stunning on the big Embassy screen and the conversations Nick had – with his Freudian psychologist, with archivists collecting up bits of Nick Cave memorabilia, with his band mates and with himself in voice over were all interesting to me.
My most treasured bits of the movie where when he spoke about his creative process. He talked about his song writing as being all stories which take place in another world, a dark violent and strange world where there’s a god like figure taking score of what people do, but he doesn’t actually believe in god in the real world. Those ideas are fascinating to me.
The movie also made me fall in love with his latest album Push the Sky Away, which I have since bought, so… there’s that. I’d definitely watch this again, in my head it files in very nicely with the Leonard Cohen doco ‘I’m your man’.