Directed by Sergei M. Eisenstein
Written by Nina Agadzhanova
Well. Isn’t this a cheery subject for a film? A Soviet film retelling the mutiny on a battleship and the ensuing rioting and police massacre that followed? Yeah, just the kind of thing I want to sit back and relax in front of. Good lord. You can hardly blame the men for not wanting to eat maggoty meat…
Ah yes, just read a little bit more about this and of course it’s a pro-revolution propaganda film. That makes sense, and speaks to it’s cultural and historical significance. Perhaps it’s watching this almost one hundred years later but it’s all kind of on the nose message wise. For example, the drawn out sequence of the baby in peril – like, we get it. The bad guys shoot at the woman protecting a baby, we don’t need to see it’s pram rolling down the stairs over five minutes.
What is impressive about this movie is the co-ordination of the extras. The huge amount of people moving through the streets of Odessa, the complete synchronisation of the cossacks and the way they move together. The scenes on the ship were also very complex, so I’m sure hard to manage and direct as well. All on location and basically no special effects, although the ghosty shapes hanging from the yardarm. It’s well made, it’s beautiful, but overall I didn’t enjoy how violent it is.
Does it make me love the people? I mean, I cared about Grigory, but then he died. So, I’d say no.
Bechdel test: no
Woman Protestor: Mothers and brothers! Let there not be differences or hostility among us!
State of Mind: Yeah, I’m not gonna watch this again. It’s impressive and rough and awful. Hey, at least it was short!